AIFXMOVIEVISUAL EFFECTS / REIMAGINED
EN
An Asian woman in a futuristic technical suit against the soft neon lights of Bangkok at night.
IMAGINATION, IN FRAME

THE NEXT FRAME
IS YOURS

BANGKOK AFTER DARK / AI CONCEPT FRAME

01 / THE STUDIO

STORIES FIRST
IDEAS INTO IMAGES

Our system combines the experience of screenwriters, directors and editors with control over generative models for film, advertising, music videos and vertical dramas. We work with bloggers and content creators across all formats.

We develop the story and direction, then get generative models to deliver that vision. We choose models for the task and combine them where one alone is not enough.

The action axis, staging, in-shot editing and speed ramping are familiar filmmaking tools that are difficult to reproduce with AI. We get models to deliver the intended result while preserving characters and scene continuity.

Explore our capabilities

02 / CAPABILITIES

FROM FIRST IDEA
TO FINISHED SCENE

From directorial intent
to controlled generation.

01 / 11

Story & direction

We develop the story and staging, then get the generative model to deliver the intended blocking, character actions and editing continuity.

SCRIPT / STAGING / EDITING
06 / 11

AI visual effects

We get models to produce the intended effect in line with the action, camera and staging. We combine models to build the visual foundation and refine its realism.

MODEL SELECTION / VISUAL EFFECTS
07 / 11

Character consistency

We maintain character identity across shot sizes, angles, lighting and wardrobe changes, preserving the face, proportions and defining details across generations.

IDENTITY / CONTINUITY
08 / 11

Human expression

We get the model to deliver a specific reaction: a glance, a half-smile, a pause before a line. We preserve character identity as the expression changes.

EMOTION / FACIAL PERFORMANCE
09 / 11

Natural movement

We produce the intended body movement and motion path, maintaining weight, inertia and contact with objects within the generated shot.

BODY LANGUAGE / PHYSICALITY
10 / 11

Worlds & environments

We create and extend environments while preserving geometry, perspective and lighting, maintaining the same location across generated shots.

SET EXTENSIONS / WORLD BUILDING
11 / 11

Footage repair

We make local corrections to faces, movement and generation artifacts. We refine filmed and generated footage while preserving composition and the intended action.

CLEANUP / REFINEMENT / RESTORATION

03 / POSSIBILITIES IN PRACTICE

STORIES WITHOUT
THE LIMITS

Familiar filmmaking tasks are difficult for AI.
We make them work in generation.

Two views within one continuous take on a Bangkok riverfront. Before the axis crossing, the heroine is on the left and her partner’s shoulder on the right; afterwards, he is on the left and she is on the right. The railing perspective and view of the opposite bank change with the camera position. The diagram shows two characters, their action axis and one camera following an arc across it behind the partner.
ONE TAKE / AXIS CROSSINGDIAGRAM 01

01 / STAGING IN GENERATION

Reverse angles
in one continuous take

We get the model to cross the action axis in one continuous camera move. Viewpoint, character screen positions and background perspective change together, while faces and location geometry stay consistent.

  • Continuous take
  • Axis crossing
  • Scene geometry
The heroine in cyan wireframe in the foreground, with a partner carrying a case deeper in the Bangkok scene. Focus brackets mark the shift of attention within one shot.
ONE SHOT / SHIFTING ATTENTIONDIAGRAM 02

02 / CONTROL OVER STAGING

Editing within
a single shot

Models struggle to coordinate blocking, camera movement and focus pulls within one shot. We get them to deliver the planned sequence of actions and shifts of attention while maintaining scene continuity.

  • Blocking
  • Camera movement
  • Focus pulls
A single cyan wireframe frame of the heroine performing a mawashi-geri roundhouse kick. The speed curve below runs from 1× to 0.25×, then 2× and back to 1×.
ONE SHOT / CHANGING SPEEDDIAGRAM 03

03 / SPEED CONTROL IN GENERATION

Speed ramping
& slow motion

Speed ramping is straightforward in filmmaking. Getting the intended speed change in generative video is much harder. We get models to accelerate or go into slow motion at precise moments within the shot.

  • Speed ramping
  • Slow motion
  • Movement control
The Bangkok After Dark heroine as a cyan wireframe portrait, with callouts identifying her eyes, nose, lips, cheekbones and face shape.
CHARACTER MAPDIAGRAM 04

04 / CHARACTER CONSISTENCY

One character
Across generations

A new angle, lighting setup or shot size can make a model change the character’s appearance. We maintain identity across shots, preserving the same face, proportions and defining details.

  • Consistency
  • Character identity
A cyan wireframe panorama of nighttime Bangkok with skyscrapers, Thai temples, one boat on the river and an elevated train.
BANGKOK / SCENE GEOMETRYDIAGRAM 05

05 / ENVIRONMENT CONSISTENCY

One location
Across every angle

Generating a location is easier than keeping it consistent in subsequent shots. We maintain coherent geometry, perspective and lighting across new angles and set extensions.

  • Scene geometry
  • Perspective & lighting
The same heroine as a cyan wireframe portrait with a natural smile, with callouts for brows, gaze, cheeks and smile.
THE HUMAN DETAILDIAGRAM 06

06 / PRECISE PERFORMANCE & REFINEMENT

The intended expression
A precise refinement

Getting a specific reaction or local correction from a model without changing the rest of the frame is difficult. We deliver the intended expression and body movement, correcting artifacts while preserving character identity and composition.

  • Expression control
  • Local refinement
HUMAN IMAGINATIONARTIFICIAL INTELLIGENCEONE VISION